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Stainless Steel
50 x 33 x 40 cm
2025
My practice questions how order and chaos coexist through the language of scaffolding. Growing up in a conservative environment, I came to see my surroundings as a vast scaffold in constant flux, always building, elevating, and undoing itself. I’m drawn to scaffolding for its temporary nature and its potential for reinvention. By disrupting its order, I embed personal fears and quiet acts of defiance against imposed conformity. Moving between ink and metal, I navigate structure and collapse, using skeletal forms to turn viewers from passive observers into active participants within these constructed, unsettled spaces.
Stainless Steel
50 x 33 x 40 cm
2025
My practice questions how order and chaos coexist through the language of scaffolding. Growing up in a conservative environment, I came to see my surroundings as a vast scaffold in constant flux, always building, elevating, and undoing itself. I’m drawn to scaffolding for its temporary nature and its potential for reinvention. By disrupting its order, I embed personal fears and quiet acts of defiance against imposed conformity. Moving between ink and metal, I navigate structure and collapse, using skeletal forms to turn viewers from passive observers into active participants within these constructed, unsettled spaces.