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Pulp, cherry, steel, shellac, water colour
152 x 121 x 304 cm
2025
My sculptural work centres around materials with a natural appearance, such as pulp and concrete, which I cast from hand-built models to evoke a life-like presence that borders on the uncanny. I embrace the material as inherently sculptural, creating a viewing experience that shifts between empathy and detached objectivity. I want the work to possess the qualities of life while remaining self-aware as art. I use the material as a firm ground from which to launch ideas.
Fragmentation and distortion of the human body are motifs in my work, reflecting the inherently incomplete and enigmatic nature of human experience.
Pulp, cherry, steel, shellac, water colour
152 x 121 x 304 cm
2025
My sculptural work centres around materials with a natural appearance, such as pulp and concrete, which I cast from hand-built models to evoke a life-like presence that borders on the uncanny. I embrace the material as inherently sculptural, creating a viewing experience that shifts between empathy and detached objectivity. I want the work to possess the qualities of life while remaining self-aware as art. I use the material as a firm ground from which to launch ideas.
Fragmentation and distortion of the human body are motifs in my work, reflecting the inherently incomplete and enigmatic nature of human experience.